To commence the process of producing one of her prints, Stackonis must first prepare the ink. She does this by scoops a generous portion of the ink onto the table and begins working the it over with a small scraping tool. Stackonis does this for several minutes until she as achieved the desired consistency.

Stackonis inspects the copper mezzotint that she will use to create her image.

Stackonis working the ink.

After the ink has been thoroughly emulsified Stackonis uses a paint roller to apply the ink. She then takes a softball sized cloth and continues to work the ink into the smaller crevices of the mezzotint.

Stackonis rolling the ink onto the mezzotint.

Stackonis meticulously rubs the mezzotint with a cloth taking note of the details that the ink creates on the copper plate.

Devon Stackonis in her print making studio.

The inked mezzotint.

To ensure that the print is transfered properly onto the paper, Stackonis submerges the paper into a tray that is filled with room temp water. Drenching the paper ensures that the ink will stick properly.

Stackonis then takes the inked mezzotint and the paper to the press where she lays them both in proper position. A side mounted wheel is turned clockwise to move the table horizontally which then then presses mezzotint and the paper together against a soft fabric.

Stackonis wetting the paper.

The mezzotint is placed into position.

Stackonis places the mezzotint and the paper into the press.

The wheel is then spun counterclockwise to retrieve the mezzotint and the paper. With bated breaths, Stackonis peals off the paper to reveal the print. It is stunning.

Stackonis operating the press.

The printed image next to its respective mezzotint.

Stackonis removing the print from the mezzotint.